Is There Another Me in Another Dimension Art Project
The projection begins with the idea that the emotional, psychological and spiritual experiences we have when we encounter an artwork are non as mysterious as they seem at first and they tin can, in fact, be measured. There are rigorous and well-defined experimental practices that measure the psychological effects of images on the viewer. Building from this foundation, Dr. Callaway and his collaborators hope to link these furnishings with the psychological signatures of spiritual experience. One time these paradigms encounter, the result will be a set of experimental tools that can be used to measure out the spiritual effects of art.
What we are measuring is primarily...what I would phone call the psychosocial religious effects of the art experience.
– Kutter Callaway, Ph.D.
The starting time experiment uses altered photography to measure the way people think about God and other spiritual matters. Working with an creative person, Dr. Callaway and his team accept commissioned the creation of a set up of artful, aesthetically pleasing photographs. These images are then altered by cropping and so they become compositionally awkward, jarring versions of the originals. A third set of images, a command set of photos that are commonly used in other psychological experiments, is also used. Written report participants will exist shown images from one of these three sets and then assessed on the way they afterwards imagine God and entertain other spiritual ideas. If dazzler and spirituality are linked the way Dr. Callaway suspects, the effect of the images should be measurable.
In one case this experimental framework has been established, new variables will too be tested. The outset experiment will focus on the formal qualities of the photographs, but content of the artwork is also an important variable. Dr. Callaway is interested in questions of practiced versus bad fine art, serious masterpieces versus kitsch. Shouldn't the excellence of an artwork have a measurable effect on the way it elicits a spiritual response in the viewer? Or will the comfort and nostalgia of kitsch have a like outcome?
Some other dimension that will be tested is the effect of the artful fluency of the viewers themselves. How much time do the participants spend looking at art on their own? Have they studied it, do they accept extensive fine art historical knowledge? How volition those who understand the intricacies of composition and symbolism react to artful stimuli, compared to those who take little prior noesis? The hope is to collect data on a general, non-expert population, but also command for factors like fine art-viewing skill and experience.
Part of what makes the spiritual furnishings of art seem immeasurable is that spiritual realities, by their nature, resist quantification. And so Dr. Callaway makes an important stardom: the goal is to measure the spiritual experiences of the study participants, not to mensurate spiritual reality itself. In other words, the psychological hallmarks of an run across with the divine can be quantified, recorded and compared, but God cannot.
Empathy is what art does. The domain of art is inducing some sort of empathetic response to the piece of art and the globe beyond.
– Kutter Callaway, Ph.D.
We often think of art as something that'southward decorative, a beautiful afterthought that operates on a surface level. Merely this ignores how foundational our aesthetic experience of the world is to our psychological and spiritual experiences of the globe. Aesthetic experience is not only a pathway to spiritual understanding, the ii are inextricably linked. Nosotros build our ethical and spiritual understanding of the earth start through our understanding of beauty, the traditions and structures of religion come afterward.
Dr. Callaway emphasizes the centrality of art to the human experience by referring to our species not as homo sapien , but instead equally " man aestheticus ." Our feel of beauty is central to the way we understand our reality physically, psychologically, and spiritually. This centrality makes the work of measurement all the more of import. Art moves us securely, and we need tools to understand how.
Source: https://templetonreligiontrust.org/explore/measuring-the-spiritual-dimension-of-art/
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